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DaVinci Resolve Studio 18 is the most comprehensive video editing software available, offering everything you could ever need and much more in a single program. Plus, the software brings with it some incredible new features that will save more advanced users a huge amount of time and effort. This is extremely powerful professional-grade software but comes at a reasonable price for a perpetual license with lifetime updates.
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DaVinci makes it as easy as other NLEs by allowing tweaks via conventional sliders or colour wheels which adjust contrast, colour temperature, midtones, saturation and more. There’s also an alternative layout, the Cut Page, designed for fast turn-around editing. It includes a dual timeline; the upper timeline shows the entire edit, while the lower timeline focuses on where you’re working. Clips are no longer collected in bins but appear as one collected tape.
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If you go up to the Studio version with a high-spec computer running lots of GPUs, then it will run faster. It’s designed for post-production houses and Hollywood studios using multi-camera, large format raw files, so it’s more than capable of running just a few cameras and files in an edit. The Edit page features drag and drop editing, smart trimming tools, fast proxy editing, live previews of any effects and has a huge library full of effects and transitions. If you are used to Adobe Premiere Pro or Final Cut Pro X, this is where you will feel most at home as it’s similar. With streamlined editing, color, audio, and effects interfaces, DaVinci Resolve is the most comprehensive editing software available, and this latest release sees several improvements.
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With two ways of editing at its heart, plus industry-standard colour software and audio software as well as motion graphics and VFX, it’s really in a league of its own. The public beta of DaVinci Resolve 18.5 adds some great new features, such as Relight FX. The Cut page also develops with each new release, becoming a powerful alternative to the traditional Edit page. In addition, using AI to help find the clips you need and sort your footage will speed up your edit workflow so you can concentrate on creating your edit.
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Then there’s advanced HDR delivery in Dolby Vision and HDR10+ formats. Fusion is similar to Adobe After Effects and is the place where you can create cinematic visual effects and motion graphics, while Color is for video optimisation, colour grading and applying other effects. Fairlight is for powerful audio post-production suite where you can record, edit, mix, master soundtracks and much more. These keyboards ultimately make editing quicker and easier, and at $395/£335/AU$645 with a copy of DaVinci Resolve Studio 18 included, you're getting the software for far less. There’s also a free version of the software, which has fewer features, but is still impressive with powerful colour grading tools and is ideal for less demanding users. The usual suspects in the pro video editor market are Adobe Premiere Pro and Apple Final Cut Pro, but Davinci Resolve is right up alongside them in our list of the best video editing software.
Key features
Resolve matches up to expensive high-end software like Adobe Premiere Pro, and is used by Hollywood film and TV productions. In DaVinci Resolve 18.5, the Cut page has three new menus for quicker and more flexible editing. You can use the timeline options, timeline actions and edit actions to toggle ripple editing, trim edit points to the playhead, and resync audio. In addition, scene cut detection is now possible directly on the Cut timeline. The Cut page also has a new ripple button which enables and disables rippled edits. With Split A/V, you can adjust the edit point for video or audio separately by dragging the clip’s lower part to adjust the audio track.
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One of the coolest new things in version 18 is automatic object selection. Simple monochrome shapes appear in the list, but hover over an entry, and your own clips in the timeline show how the transition will look in the viewer when applied. Not only that, some striking transitions are at your disposal in the Fusion Transitions section, including Camera Shake, Drop Warp, and Tunnel of Light. The Media page is where you find and organize media, using color coding, bins, and metadata. You can also pre-trim source clips here using the I and O keyboard shortcuts. Before you get into the editing interface, you see the Project Manager window, which has hover-scrubbable thumbnails for each project you’re working on.
Cut is more streamlined for fast work and designed for quick turnaround projects, but allows for multicam edits. But most users will work in the Edit pages for more considered projects. If you want the most feature-packed editing programme for the least amount of money, then Blackmagic’s DaVinci Resolve 17 is it.
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And with a price tag of $295/£306/AU$479 for a perpetual license with lifetime updates, it’s an absolute bargain. There’s very little that you can’t do with the software, and new features such as the collaborative tools, Object Mask, Depth Map and the Surface Tracker to name but a few are mind-blowingly powerful. These make selecting, adjusting and manipulating objects within video incredibly simple and can save a huge amount of time, overall. Unlike many editing programmes, where work is done in one view where all options are shown, Resolve is split into separate ‘pages’ which give a dedicated set of tools for each task. When adding clips to the timeline in Cut mode, buttons let you choose among Smart Insert, Append, Ripple Overwrite, Close Up, Place on Top, and Source Overwrite (requires synced time codes in the clips).
This means you can import USD data such as geometry, lighting, cameras, materials and animation for easier collaboration between VFX artists. The native AI-based Depth Map tool is now also supported in Fusion Studio. In addition, Resolve 18.5 now supports the OpenTimelineIO (OTIO) format. This makes it easier to import and export timelines from other NLE applications.
The DaVinci Resolve Studio interface is unique when compared to competitors because the software is split into ‘pages’, which are areas for performing different tasks. These are laid out intuitively in the order that users are most likely to need them for a logical workflow, although you can, of course, jump back and forth as required. DaVinci Resolve 18 adds support for real-time remote collaboration via the Blackmagic Cloud service, with multiple users anywhere in the world.
Now just out of Beta testing and available as a final product, DaVinci Resolve 17 has had a major redesign and added even more functionality to its already huge menu of options. From its Fairlight audio processing to Fusion graphics, it has the lot. As well as its industry-standard colour editing and grading, of course. And its new HDR colour features allow fast and easy grading of shots with a very wide dynamic range. Blackmagic’s DaVinci Resolve 17 has more firepower and features than any other video editing programme.
With Davinci Resolve 18.5, you can now start remote monitoring with only a Blackmagic ID and a session code. After enabling remote monitoring in Resolve, you can simply share your code. James Abbott is a landscape and portrait photographer based in Cambridge. He’s also an experienced photography journalist specializing in camera skills and Photoshop techniques. He is also a CAA-approved drone pilot and professional aerial photographer.
OTIO supports metadata for clips, timing, tracks, transitions and markers. Davinci Resolve 18.5 supports Blackmagic Cloud, so you can save your project libraries on the Davinci Resolve Project Server in the cloud. This also means that you can work collaboratively with editors, colorists, VFX artists and audio engineers on the same project at the same time, anywhere in the world.
Tools includes waveforms, vectorscopes, histogram, parades and CIE chromacity. And when it comes to adding your own look, tools like Color Warper lets you set a colour palette that effects certain colors, for example, and paste them onto other shots in the timeline. Once work is imported, which can be done by drag-and-drop of either files or entire folders, you edit using either the Cut or Edit pages.
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